{"version":"1.0","provider_name":"Manolis Manousakis","provider_url":"https:\/\/manolismanousakis.com\/el\/","author_name":"superadmin","author_url":"https:\/\/manolismanousakis.com\/el\/author\/superadmin\/","title":"\u03a0\u03c1\u03bf\u03bc\u03b7\u03b8\u03ad\u03b9\u03b1 - Manolis Manousakis","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qVMTl9KWFY\"><a href=\"https:\/\/manolismanousakis.com\/el\/portfolio-item\/promitheus\/\">\u03a0\u03c1\u03bf\u03bc\u03b7\u03b8\u03ad\u03b9\u03b1<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/manolismanousakis.com\/el\/portfolio-item\/promitheus\/embed\/#?secret=qVMTl9KWFY\" width=\"600\" height=\"338\" title=\"&#8220;\u03a0\u03c1\u03bf\u03bc\u03b7\u03b8\u03ad\u03b9\u03b1&#8221; &#8212; Manolis Manousakis\" data-secret=\"qVMTl9KWFY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/manolismanousakis.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/manolismanousakis.com\/wp-content\/uploads\/2025\/11\/medeaelectronique2018_promitheus-1.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"Medea Electronique, continuing their research into myth, aim to explore the boundaries of technology and the poetics of the Digital Era, thus creating a new type of dramaturgy: The poetry of the digital era. \u2192 In a performance \u2013 score. \u2192 Prometheus in a collaboration with the French Dance Group, Cie S\u00e9bastien Perralut, and the bass baritone Marios Sarantidis. \u2192 \u0399n the performance, music, poetry, dancer\u2019s body, digital interactive technology act as versions of Promethean fire-technology Prometheus is now free and wandering. \u2192 The gods have died \u2192 Having given the fire-technology to humans, he stands to observe: using the fire they try to live well, to move forward. \u0399n the performance, music, poetry, the dancer\u2019s body, digital interactive technology all act as versions of Promethean fire-technology. The humans now feel omnipotent. They are both players and play-things, and so the game of the world continues.   CREDITS Concept &amp; artistic direction: Medea Electronique Music: Manolis Manousakis, Dimitris Tingas, Guido de Flaviis Dramaturgy: Aggeliki Pouliou Choreography: S\u00e9bastien Perrault Video mapping, live visuals: Vicky Bisbiki Set-design \u2013 costumes: Sotiris Ifantis Music interaction: Alexandros Drimonitis Production manager: Iro Akrivou Bass baritone: \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 Sarantidis Chorus: Marie Laure Caradec, Steven Hervouet, S\u00e9bastien Perrault, Giannis Nikolaides"}