1.0Manolis Manousakishttps://manolismanousakis.com/el/superadminhttps://manolismanousakis.com/el/author/superadmin/rich600338<blockquote class="wp-embedded-content" data-secret="EKur2dvhjO"><a href="https://manolismanousakis.com/el/portfolio-item/promitheus/">Προμηθέια</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://manolismanousakis.com/el/portfolio-item/promitheus/embed/#?secret=EKur2dvhjO" width="600" height="338" title="“Προμηθέια” — Manolis Manousakis" data-secret="EKur2dvhjO" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://manolismanousakis.com/wp-includes/js/wp-embed.min.js </script> https://manolismanousakis.com/wp-content/uploads/2025/11/medeaelectronique2018_promitheus-1.jpg1280720Medea Electronique, continuing their research into myth, aim to explore the boundaries of technology and the poetics of the Digital Era, thus creating a new type of dramaturgy: The poetry of the digital era. → In a performance – score. → Prometheus in a collaboration with the French Dance Group, Cie Sébastien Perralut, and the bass baritone Marios Sarantidis. → Ιn the performance, music, poetry, dancer’s body, digital interactive technology act as versions of Promethean fire-technology Prometheus is now free and wandering. → The gods have died → Having given the fire-technology to humans, he stands to observe: using the fire they try to live well, to move forward. Ιn the performance, music, poetry, the dancer’s body, digital interactive technology all act as versions of Promethean fire-technology. The humans now feel omnipotent. They are both players and play-things, and so the game of the world continues. CREDITS Concept & artistic direction: Medea Electronique Music: Manolis Manousakis, Dimitris Tingas, Guido de Flaviis Dramaturgy: Aggeliki Pouliou Choreography: Sébastien Perrault Video mapping, live visuals: Vicky Bisbiki Set-design – costumes: Sotiris Ifantis Music interaction: Alexandros Drimonitis Production manager: Iro Akrivou Bass baritone: Μάριος Sarantidis Chorus: Marie Laure Caradec, Steven Hervouet, Sébastien Perrault, Giannis Nikolaides